A
four-year research project at Bournemouth University, “Gay and Pleasant
Land?—a study about positioning, ageing and gay life in rural South
West England and Wales”, took place as part of the Research Councils
UK-funded New Dynamics of Ageing Programme on ageing in 21st Century
Britain. The key output of this effort was the short professionally
made, award-winning film RUFUS STONE1. I acted as Project Lead and Author and Executive Producer for the film. The
research project’s methods included narrated biography, visual
ethnography, auto-ethnography, focus group work and theatrical
improvisation of interview data.
In the process of refining the treatment for the film, the Director (Josh Appignanesi)
and I faced several obstacles revolving around plot. If the premise was
that Rufus would return to his boyhood village after 50 years in exile,
there needed to be a reason for that journey backed up by research to
support it. Subsequently,
I returned to the interview data for more detail (‘evidence’) to
support the reasons (‘theory’) for the return of Rufus Stone. I further
explored and elaborated both Rufus’ story as a lad and his
decision-making as an adult, always constructing these ‘facts’ from
stories which were told to us whilst carrying out the research.
Both the film and this short story are fiction, or what I prefer to call ‘fictive reality’. Fictive
reality is conceived as the ability to engage in imaginative and
creative invention while remaining true to the remembered realities as
told through the narrations of others. Several, in fact, may recount a similar incident. When these reports are combined into one person’s story or a “composite” character, a “fiction” is born (Jones, 2013).
By
returning to this material to write “The Return of Rufus Stone”, I am
creating a ‘prequel’ to the film RUFUS STONE. It is a reworking and
refinement of those early writings. By becoming a short story, it
fine-tunes the detail by focusing on the reasons for Rufus’ return as
literature. Rufus Stone’s reappearance in his boyhood village after 50
years of exile sets up the possibilities for the characters to remember,
reassess and even potentially change. This short story explains how
that journey became possible.
* This story was first published on 22 Dec 2013 on the SOCIOLOGICAL IMAGINATION website, Mark Carrigan, ed. Watch the film here: https://vimeo.com/109360805