'Kip
Jones brings the genre of what he calls performative social sciences forward with wide-ranging
theoretical, academic, and artistic products in a various media that takes up how social
scientists can use art for investigation and dissemination (2012, 2006; Gergen &
Jones, 2008).
In 2008, Jones and Gergen called for the future of performative social sciences
to find ways
to include the audience in the performance/social science process. As Jones states
that future
of performative social sciences will…'
allow for intrusions, shocks and surprise endings by focussing
the development and production of performative pieces on the audience as the final
interpreter, interlocker, magician, sage. This is where the politics become profoundly
embodied; the evocative transformed to the provocative; and the possibility of social
science research contributing to changing hearts and minds a reality. (Gergen &
Jones, 2008, p. 41)
“Embodied Methodologies,
Participation, and the Art of Research”
by Madeline Fox
Social and Personality Psychology Compass
Volume 9, Issue 7, pages 321–332, July 2015
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