Kip Jones

KIP JONES, an American by birth, has been studying and working in the UK for more than 20 years.
Under the umbrella term of 'arts-led research', his main efforts have involved developing tools
from the arts and humanities for use by social scientists in research and its impact on a wider
public or a Perfomative Social Science.

Jones was Reader in Performative Social Science and Qualitative Research at
Bournemouth University for 15 years.
He is now a Visiting Scholar and and an independent author and scholar.

Kip has produced films and written many articles for academic journals and authored chapters
for books on topics such as masculinity, ageing and rurality, and older LGBT citizens.
Jones' most recent work involves working with Generation Z youth to tell their stories using
social media.
His ground-breaking use of qualitative methods, including Auto-fiction, biography
and auto-ethnography, and the use of tools from the arts in social science research
and dissemination are well-known.

Jones acted as Author and Executive Producer of
the award-winning short film, RUFUS STONE, funded by Research Councils UK.
The film is now available for free viewing on the Internet
and has been viewed by more than 14,000 people in 150 countries.

Areas of expertise
• Close relationships, culture and ethnicity
• Social psychology, sociology
• Ageing, self and identity
• Interpersonal processes, personality,
individual differences,
social networks, prejudice and stereotyping
• Sexuality and sexual orientation
• Creativity and the use of the
arts in Social Science

Media experience
His work has been reported widely
in the media, including:
BBC Radio 4,BBC TV news,Times
Higher Education, Sunday New
York Times, International
and The Independent.

Thursday, 17 December 2009

Saturday, 12 December 2009

Sometimes I feel like Susan Boyle...

Jeffrey is using his blog and autoethnography to navigate his PhD at Lancaster. He often asks me short, concise 'just the facts, ma'm' kinds of questions on the blog or in response to my postings.

I feel like Susan Boyle. She is answering questions such as 'What's your favorite meal? What's your favorite show tune?" in videos on her website. Yoko Ono answers 10-15 questions from 'readers' a week on Twitter. The era of the fast and furious, no-nonsense reply is upon us.

Jeffrey asks (Do you like that use of the newspaper-style breezy present tense?):
  • Kip, I think you hit on the reason why autoethnography may be so contentious a method! From this vantage, how would you define this (especially for those who find it easy to confuse the two)?
'My personal story is simply one of the raw materials used to produce my product. What I construct stands alone for what it is (a story, a painting, an A/V production), but comes to life when it engages with the response that it instils in the reader/viewer/audience, “… those wonderful people out there in the dark!”' Rough talk and chocolate brownies

In the best autoethnography, I am always a minor character and/or a conduit to a time, place and other people. I become fictional through writing. I am the sorcerer who reminds the audience of themselves.

Reflexive writing is more like a diary; private thoughts that perhaps I share, perhaps I do not. They remind me of myself. I get to be Proust in private.

To do good research, it is myself that often that I need to get out of the way, so writing about my self may help me accomplish this.

A 'personal journey' PhD is often boring and usually takes about twice as much time anyway. If you already know the subject of your research, what is the point of investigating it?

Hubris is one of the best Greek words.

[Your supervisors should be discussing all of this with you. You can say I said so!]